Teaching

Teaching experience is informed by research and practice activity. Fiona has extensive experience of teaching at undergraduate, postgraduate and through Continued Professional Development (CPD) talks, seminars, workshops and public lectures. Teaching is tailored to suit the needs of the group and the time available.

Examples of colour design from teaching. White card study model with back wall coloured yellow, black floor in foreground. Hole cut as rooflight.
Examples of colour design from teaching. White card study model with back wall coloured purple. White floor.

Architecture students at the University of Edinburgh can elect to take a semester long course On Colour in Architecture in their fourth year. The course is research-led and is intended to introduce students to the principles of colour theory, how we experience colour in spatial settings, and the most common colour specification and navigation tools used in architecture, in order to establish an intellectual framework for colour design in architecture. As part of the course, students derive a colour palette from a secondary source then experiment, using painting, models and digital tools. In the final stages of the semester the focus is on the application of their knowledge and derived palette to explore a strategic approach to colour design.

Student project. Isometric drawing of tower colour design proposal. Colour palette derived from food, earthy colours, salmon pink background.

Chromatic Interventions: The palette for this project was derived by asking friends around the world to document their evening meal each day for a week. The resulting palette revealed a predominance of earthy colours, yellow-reds with an awareness of the importance of contrasting hues.

Miharu Yamaguchi and Ephra Charlton Hutchinson

Student project, Cultural Heritage - Colour Palette from studies of Indian Saris. Series of abstract formal studies showing spatial change with colour.

Hues of Heritage: Architectural Explorations  in Cultural Identity Drawing on her family’s collection of traditional and contemporary Saris, the student developed a series of palettes, but also considered the effect of pattern, form, light and shadow as the cloth is folded and draped across the body.

Simona D’Sa

Student project derived from studies of colour palettes used in six music venues arranged in stripes of vibrant and muted tones

The Palette of Escapism, working as a group of three, the students were interested in the shift between the subtle muted palette on the outside of a series of music venues in the city, transitions spaces of the foyers, and the exuberance of the interiors.

Chris Pirrie, Caoilin O’Meara, Matthew Johnson

Wall painting installations

Wall painting in studio. Student colour design project based on a study of Pablo Picasso’s colour palettes and paintings, using red, blue, green, yellow, black and cream in abstract pattern

IT Studio, Minto House, University of Edinburgh

Occasionally opportunities arise for wall paintings to be made directly in a space together with a student that have the effect of transforming the space in which they are sited. This painting by Rachel Dunne installed with Fiona McLachlan, was developed following her work in the On Colour: in Architecture elective course. The abstract design is based on Pablo Picasso’s painting Woman in a Hat with Pompons and a Printed Blouse.

Detail of window within wall painting in studio. Student colour design project based on a study of Pablo Picasso’s colour palettes and paintings, using red, blue, green, yellow, black and cream in abstract pattern

Albertinas, Edinburgh College of Art

Wall painting in Edinburgh College of Art café area, based on student colour design project of contemporary west African cloth. Geometric diamond pattern in bright yellow, pink, blue, turquoise, purple and dark maroon.

The colour palette for a breakout space at the Lauriston campus aims to create a more lively and less institutional feel for this social space. An abstract wall painting, designed by an architecture student was derived from her study of contemporary versions of Kente cloth from her home in West Africa.

Design by Aisha Aikinola, installed with Fiona McLachlan and Xuechang Leng